A long time ago, in a galaxy not so far away, Alan and Shawn started discussing The Silmarillion. Now, witness the power of this fully armed and operational retrospective episode! First, we open Barliman’s Bag and stay on target to answer as many questions about the First and Second Ages as we can. Then we search our feelings for our favorite recurring themes in The Silmarillion and discuss Morgoth’s playbook for evil, the greatness of Finrod, the enduring importance of hope in Tolkien’s works, and more. And we make use of our Star Wars referencing skills for the first time in a long time… a long time.
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Tolkien, J. R. R. (Christopher Tolkien, ed.) The Silmarillion (Mariner Books, paperback)
Tolkien, J. R. R. (Christopher Tolkien, ed.) Morgoth’s Ring (The History of Middle-earth, Vol. 10) (HarperCollins, paperback)
Carpenter, Humphrey, ed. The Letters of J.R.R. Tolkien (Mariner Books, paperback)
By now, you’ve likely noticed that there are certain themes that Tolkien touches on frequently in the Legendarium that I’m quick to notice and talk about during the podcast — or even here in our Ponderings. Not surprisingly, then, this is another one of those moments, as I finally have a chance to write briefly on one of the most recognizable themes in Tolkien’s works: hope and despair, and the choice we have to embrace one or the other. We’ll even touch a little on the fulfillment of hope in the eucatastrophe. Admittedly, we we’ve been spending the last year or so discussing The Silmarillion in the podcast, and there are plenty of moments of hope and despair in this work. But today I want to focus on two characters from The Lord of the Rings — Denethor and Théoden. Continue reading
As you may know, I rather enjoyed The Lord of the Rings films despite my occasional (albeit entirely reasonable) criticism of certain aspects. However, one of the things I especially didn’t enjoy was the way the they effectively made Frodo appear… well, weak might be one way to put it. From the removal of his heroically-defiant moment at The Flight to the Ford to the time he was duped by Gollum into sending Sam home on The Stairs of Cirith Ungol, the film version of Frodo is often soft and victim-like. Continue reading