Yes, I referenced both Bob Dylan and Rush in the title of this essay. Fair warning: that may very well be the essay’s high point. After all, philosophers have been debating—without a certain answer—the nature of free will for centuries, and I’m unlikely to solve it here. (Spoiler alert: I don’t really try.) But it’s such a fascinating subject in the context of Professor Tolkien’s legendarium—and, especially, in the life of Túrin Turambar—that I cannot help but offer my thoughts on the matter.1
If you’ve been listening to the podcasts, you know that Shawn and I have recently released our Túrin Turambar trilogy of episodes. In the course of preparing for those recordings, I wanted to explore the way that Tolkien addressed the apparent paradox between the way he presents ‘fate’ and the exercise of free will — both among Men in general, and in Túrin in particular. Continue reading
I’ve probably admitted to this on the podcast at some point; if not, let this serve as my confession. Way back when I first started reading Tolkien as a teenager, I… uh… I often used to skip—or, at best, merely skim—the passages of verse.
Maybe this was my instinctual reaction to poetry as an uneducated youth; perhaps it was just my impatient teenage self anxious to just get on with the story. I don’t know; I can hardly remember those years anymore! In point of fact, it probably has something to do with my more prosy nature — though, like Mr. Baggins, I’m not quite as prosy as I like to believe.
As you’ll soon hear in our special Tolkien Reading Day episode next week, I’ve come a long way since then. And so, as we look forward to this year’s Reading Day theme of “Poetry and Songs in Tolkien’s Fiction,” I thought it would be a good opportunity to take an extended look at one of the repeating verses found in both The Hobbit and The Lord of the Rings. Continue reading
I shall not keep you long — I have called you all together for a Purpose. Indeed, for Three Purposes! First of all, to tell you that I am immensely fond of you all, and that one year is too short a time to podcast among such excellent and admirable listeners!
Secondly, to celebrate OUR birthday.
That’s right, I’m taking a break from my usual in-depth analysis of various themes and topics in Tolkien’s works today because… well, because we’ve a birthday to celebrate! On February 21, 2016, the first episode of The Prancing Pony Podcast was released and I want to take this opportunity to thank everyone who has been a part of making the PPP what is is! Continue reading
By now, you’ve likely noticed that there are certain themes that Tolkien touches on frequently in the Legendarium that I’m quick to notice and talk about during the podcast — or even here in our Ponderings. Not surprisingly, then, this is another one of those moments, as I finally have a chance to write briefly on one of the most recognizable themes in Tolkien’s works: hope and despair, and the choice we have to embrace one or the other. We’ll even touch a little on the fulfillment of hope in the eucatastrophe. Admittedly, we we’ve been spending the last year or so discussing The Silmarillion in the podcast, and there are plenty of moments of hope and despair in this work. But today I want to focus on two characters from The Lord of the Rings — Denethor and Théoden. Continue reading
Those of you who have been paying attention during the podcasts so far have probably noticed that the passages I am often drawn to (or at least the ones I’m drawn to discuss) are the ones that strongly illustrate some of Tolkien’s most recurrent themes: hope and despair, temptation and fall, isolation and teamwork, and so on. Well, today’s Prancing Pony Pondering is no different. Today, I want to look at the theme of humility and pride by looking into the last moments of the life of Boromir.
We begin, then, where Book Three of The Lord of the Rings (in The Two Towers) begins, with Chapter 1: The Departure of Boromir. Continue reading
In this Prancing Pony Pondering, I want to take a look at just one example of how deep and rich Tolkien’s backstories often were. As he pointed out in On Fairy-Stories, when an author can do this well,
[T]he story maker proves a successful ‘sub-creator’. He makes a Secondary World which your mind can enter. Inside it, what he relates is ‘true’: it accords with the laws of that world.
In Chapter 8 of Book Two of The Lord of the Rings, “Farewell to Lórien,” the Fellowship are finally (and reluctantly) getting ready to depart Lothlórien after their time of renewal and mourning — and they have just drunk the cup of parting with Galadriel and Celeborn. Galadriel then commences her generous gift-giving, beginning with a beautiful sheath that she gives to Aragorn for Andúril. Continue reading
As you may know, I rather enjoyed The Lord of the Rings films despite my occasional (albeit entirely reasonable) criticism of certain aspects. However, one of the things I especially didn’t enjoy was the way the they effectively made Frodo appear… well, weak might be one way to put it. From the removal of his heroically-defiant moment at The Flight to the Ford to the time he was duped by Gollum into sending Sam home on The Stairs of Cirith Ungol, the film version of Frodo is often soft and victim-like. Continue reading