041 – Make It So

In the first of two episodes on Tuor and the Fall of Gondolin, we go beyond The Silmarillion into Tolkien’s Unfinished Tales to tell the story the way it was meant to be told. The son of Huor and Rían survives capture, thraldom, and life as an outlaw to follow the footstep of doom, and soon finds himself face-to-face with Ulmo, the Lord of Waters. Tuor is offered a quest to find Gondolin and bring a message of warning from Ulmo, in fulfillment of a plan laid centuries ago. Also, answers to a listener question about Elven sleeping habits reveal gaps in both Shawn’s research… and his knowledge of Star Trek.

Below is an image of the painting Taur-na-Fuin by J.R.R. Tolkien, depicting Beleg’s finding of Gwindor:taur-na-fuin

Gwindor can be seen lying prone near the roots of the large tree at center, with a red hat and a Fëanorian lamp on the ground beside him: taur-na-fuin_zoom

Artwork above is copyright of The Tolkien Estate Limited or The Tolkien Trust.

For an image of Tuor, Gelmir, and Arminas by Ted Nasmith depicting Gelmir’s Fëanorian lamp, visit the artist’s home page here: http://www.tednasmith.com/tolkien/tuor-gelmir-and-arminas/

Listen to the episode here or on YouTube

Subscribe to the podcast via:

Comments or questions for Barliman’s Bag:

  • Visit us at Facebook or Twitter
  • Comment on this blog post
  • Email theprancingponypodcast (at) gmail (dot) com.

Recommended Reading:

Tolkien, J. R. R. (Christopher Tolkien, ed.) Unfinished Tales of Númenor and Middle-earth (Mariner Books, paperback) pp. 17-56, “Of Tuor and His Coming to Gondolin”

Tolkien, J. R. R. The Silmarillion (Mariner Books, paperback) pp. 238-239, “Of Tuor and the Fall of Gondolin”

 

Doom, doom, doom.

If you’ve listened to the podcast enough, you’ve probably heard Alan and I make the bold claim that J. R. R. Tolkien never, ever made an accidental word choice in his writing.  Every single word was chosen quite deliberately, we like to believe, and so there’s no shame in delving deep into every single word choice to determine exactly what was in the Professor’s head at the moment of writing.  Of course, while we can’t know for sure, this is likely an exaggeration — surely even Tolkien occasionally chose words “just because” — but we’ll never know for sure, and we’ll keep on saying it. One thing that we do know for sure is that Tolkien understood words, and the history of words, well enough to know which one was right for his intended purpose; and that if he wanted to, he could use their histories and multiple shades of meaning to great effect.

One of our favorite words to delve into is doom.  Continue reading